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Analyze Of Intersubjective In Wen Xin Diao Long

Posted on:2013-01-06Degree:MasterType:Thesis
Country:ChinaCandidate:L SunFull Text:PDF
GTID:2235330392450442Subject:Chinese Language and Literature
Abstract/Summary:PDF Full Text Request
There is no denying the fact that the western literary theory still controls themainstream discourse of the contemporary theory. When the Chinese ancient literarytheory is involved in seeking its development road in new century, it is inevitablyaffected by the contemporary literary criticism theory, realizing its own moderntransformation. In the20century of the diversification of theory and ideology,intersubjectivity is the right time, and is pouring into China all at once. It alsobecomes a literary theory hot spot.Intersubjectivity thinks the world is not the object, but another self, in existence,the relationship between subjects is a kind of interrelationship, and it is not dominatedby the control subject. It focuses on the interaction between subjects. It is similar tothe ancient Chinese aesthetics based on the philosophical concept of “the nature andman united as one”. So there exists the foundation and the possibility of dialogue andcommunication naturally.The Literary Mind and the Carving Dragon, as a classic of Chinese aesthetics,isdeeply influenced by the ancient Chinese aesthetics based on the philosophicalconcept of “the nature and man united as one”. With the turning point ofintersubjectivity, it can also involved. This article is based on "Wen Xin Diao Long"literary theory. It research the Chinese philosophy and aesthetics resource to get theintersubjectivity originality of "Wen Xin Diao Long". Form the perspective ofintersubjectivity, the paper conducts Literary Creations and Reception Theory as thebreakthrough point, and combines these key words such as “mind act with object”“keep quiet and raise spirit”“enter the feeling” as a deep description of theintersubjectivity of the aesthetic activities. It suggests that the authors and works, andthe world and appreciators is a kind of interrelationship, highlighting the literaryactivity and aesthetic value.The Literary Mind and the Carving Dragon undertakes the Chinese culture "natureand humanity" nature and Taoist aesthetics of inter-subjective philosophy thoughts, and put the Literary Creations and the Reception Theory into its further development,and to offers a new perspective, to gains its new meaning.
Keywords/Search Tags:Intersubjectivity, Conversation, Literary Creations, ReceptionTheory
PDF Full Text Request
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