"The Chinese Literati Music Language."

This paper (article called" paper", mainly reflected in Chinese classical poetry, word, song, song of the generalized form of poetry. Wen Tong) and music is the ancient one to be neither friendly nor aloof but always failed to completely let go of the " twin sisters". Chinese literati Music Chinese traditional music, as most Chinese aesthetic characteristics of a wonderful work, in the long history from its unique light shade." Language is Chinese." music aesthetic characteristic of literati." Poem," the so-called" big order:emotion in action and in the shape of words, words failed long words, words failed so long moan, moan of the permanent song......". As everyone knows, ruthless non art. Music as an art, its essence is the expression of feelings; purpose is to express the inner feelings. While the Chinese literati music in the text of the people carefully" care", become a most can form clear" language at the end of emotion is a special language symbol. Also comply with the phrase " language a stopping place, produce music".This paper from the scholars of music produced the biggest feature of language and music--the relationship began to discuss. From the perspective of music aesthetics, music is not semantic, coupled with Ji Kang’s" music without sorrow of influence, long-term since, people (especially Chinese literary people) will be more focused on the music of semantic research, while neglecting the semantic study of music. While the language was mostly characterized by its semantic features, and the music of language, the greater is the function of expressing feelings, from another perspective, language and is used to" ideographic", while music is used to" look". But the author thinks, music is semantics, the semantic effects achieved far more than the language itself, the so-called music without semantic composition of music, just the basic material, and not the music itself. Then the author will be detailed analysis to prove the music as semantic instance there is no national boundaries, is impossible to translate. Secondly this paper on the language art in the most representative poetry and music were compared, and the analysis of its origin, interaction and mutual promotion relationship, common, similarity and fusion development advantage. At the end of the article will focus on the music scholars in language and literature and music in the history of the clutch, clutch, namely from relations brief analysis to prove the music and poetry melting beauty.