The Yao Nationalrty Folk Song Study In Changning District, Hunan Prolince

Since ancient times, Yao people love to sing.The Qing Dynasty poet Qu Dajun had "conventional Yao Shang Ge, men and women Zada, meet with general approval."The verse.Yao people living in the song of the sea, the world of dance, song generation language, songs in feelings, to exchange feelings like love song.Songs accompanied by Yao people living in the whole process, the Yao people living in the indispensable spiritual sustenance. When the children enter adolescence, began to follow the "song of grandfather","song of grandmother","song Dad "," song Mom","song of Columbia","the song sister" system to learn to sing songs, learn from the shallower to the deeper, from simple to complex.The content source, politics, life song production, songs, as well as riddle song, expressed marriage songs, funeral songs, including politics, economy, history, culture, life and production, customs etc..Chang Yao folk songs are in such big background, continuation and development.Chang Yao folk songs in its special geographical background and humanistic care, and presents its own unique personality, become big Yao groups show a bright, but also for the Chinese national culture is added to a colorful.This article through to the Chang Yao folk songs in live state of survival soil analysis, from its music, including melody, lyric tonality, and many other aspects of the artistic characteristics of discussed in detail, and fully affirmed the folk culture of "person" main body sex, the folk singer, inheritors of records, and then from the folk cultural heritage and development perspective, the change in Chang Yao folk songs for long-term development think.Specific content is divided into five chapters, as follows:The first chapter of Hunan Chang Yao folk songs in the growth of cultural and geographical background.Chang Yao folk songs from the growth and geographical environment and the historical roots of Chang Yao folk songs in breeding and population structure, these two points to describe geographic, cultural environment in song development plays an indispensable role in the production, living life scene is the development and inheritance of folk art is the most powerful way.The second chapter Chang Yao features folk art.From Chang Yaos ballad music morphologic features and artistic features to write lyrics, music melody, musical structure, tonality and other traditional music theory, musical knowledge is the scientific analysis of morphology of the most basic elements of music.A dialect of ballads, folk songs lyrics are people express their feelings most original material, the lyrics is based on folk regression masses of the humanistic care.The third chapter Chang Yao folk singing form and occasions classification.Group singing antiphonal singing, solo type, the "public worship singing and" type.Such as Yao, form with development of religious communities, the "Wang Ge" form, are clearly illustrates Chang Yaos ballad form and place structure.The fourth chapter introduces Chang Yao singer.Mainly from the old to the song mother "disc four sister" and the new singer records, and interviews with veteran singer, veteran disc of the two to write, is the cultural main body of creation, but also the cultural continuity heritage.The fifth chapter in the cultural transformation in Chang Yao folk song inheritance and development.In economy, the rapid development of the society, culture, and even fusion has become an irresistible trend, how in this one retains unique national characteristics, development and cultural diversity, it takes a lot of effort.Chang Yaos ballad from the status quo, heritage significance and strategy three aspects carries on the comprehensive cultural regression.