The Color And Pattern In The Application And Research Of Screen Prints

Screen prints for painting to bring a new form and new concept of painting, colorand pattern as silkscreen prints the most basic language of painting more and morepeople are concerned. Chinese silk screen prints are relatively young, technology,equipment, materials and the relatively backward, screen prints of the ontologylanguage fuzzy concept of restricting the development of silk screen printing. In theother version screen prints for talent showing itself, mainly because of the diversity ofform, these forms through the color and pattern to complete, will meet the public’saesthetic.This article through five chapters to elaborate the color and pattern in thesilkscreen prints in the specific use. The first chapter describes the silkscreen printsbrought us the social value, and the significance of the research. Silk screen prints andpop art are closely related, have very strong performance and decorative, combinationof color, form, as well as new material for serigraphic brought decoration, forsubsequent silkscreen prints creation to bring new ideas and concepts. In the thirdchapters, mainly about the color theory of knowledge, and lay a good foundation for thecreation of. The color of the organization and composition, to improve the picture andscreen prints a unique sense of form, color and unique method, need have the aid ofscreen to register, mainly divided version. In this chapter stresses the painter shouldadhere to the natural feeling of outdoor painting, color, and the color compositionprinciple of some of the theoretical knowledge, these services in the creation of thepicture, the picture color is rich. Next on the screen print prints, mainly manifests in thematerial, techniques and picture form. Mark as a picture form, affect the picture quality,it not only beautifies the aesthetic feeling of the picture effect, but also reflects thesilkscreen prints very strong expressive force. Based on the point, line, surface markmark set, combined with practice to illustrate the serigraphic prints is unique, thesemarks added to the screen a new language of painting. At the end of the articleemphasizes the creation of author’s feelings, cultivation, culture background theinfluence on creation, and use a small chapters to screen prints of the populace, massconsistent with groups of aesthetic. The creation of positioning and promotion provided a solid theoretical basis.I hope that through the screen prints of color and pattern research, explore newpainting language, to enrich and perfect the theory of aesthetics of screen prints.