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On The Mid-80’s Transformation Of China’s Prints

Posted on:2013-12-13Degree:MasterType:Thesis
Country:ChinaCandidate:F M TianFull Text:PDF
GTID:2235330374954291Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Prints from the date of birth, the development will be dependent on social, economic,cultural, technological and various conditions of background. The historical process ofChina’s prints, as society changes, gone through many ups and downs. The mid-80s of lastcentury, China once again usher in large print development. And socio-political andeconomic reform and opening up the new changes to the Chinese art world trend, Prints arenaturally thought of the impact of this unit, showing a new look. First change isPrintmaking education, The replacement of old and new teachers brought new teachingmethods and academic atmosphere, Third version of the vigorous development ofeducation has also changed the pattern of the past, a single print. Institute of Educationchanged print print artists a direct result of the changes, By Yan Han, Xu Bing, Su Xinpingthree version of the works of artists in this period can be seen that the traditional printlanguage has changed, Creators of the breakthrough in the traditional style and color ideas,Aesthetic from the old habits, Nature and characteristics of the pursuit of print, Create anew print pattern, Carried out a visual revolution. Print these new changes in the mid80sto mid90s this time was the most prominent, So call this period of transition for theChinese prints. At the same time the development of transition in the history of Chineseprints are important, It not only changed lasted50years, China’s new print campaign printsleft by the natural landscape, Also determined since the late90’s the development ofChina’s basic direction of contemporary printmaking.
Keywords/Search Tags:The mid-80s, Transformation, Economic Development, Education of Printmaking, Printmaker
PDF Full Text Request
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