Gaohuimin Spring Flower And-bird Painting Of A Core Alue System

In the vast magnificent, MangCang expanse of the north China were active inGaoHuiMin led a group of professorwithvigor and painter, they live in baishanblackwater perchedbetween, by the big north of regional culture nourishes thecharacter, straightforward bold and unconstrained, don’t over spend your grass, designedfor wild mountain flower ou monuments dedicated to unprecedented, to be the first inChina painting of flowers and birds will dominate. In this paper, through a largecomprehensive historical data, and contact, the paper has analyzed the nvzhennationality combined the hunting culture, modern times "braving the phenomenon, inthe north of cultural region characteristic, and philosophy to the north thatConfucianism, Buddhism and the influence of the school. In today’s society, withmodern socialist, postmodern germination and the rising, there was a variety of artcomplex symbiosis phenomena. China also is diverse, painting of multi-level and tastedevelopment. We want to emphasize traditional national culture, to enrich the spiritualworld of all mankind. Chinese traditional art to be towards the world, first to Chinesetraditional art seriously study, carry, innovation to create. How to locate the Chinesepainting of the north of future coordinate system and their own development pathbecome young generation and the north is the burden of blame painter.This article is from the "nature and humanity" philosophical; Pay attention toaccumulation of heredity;"And different" regional; Modern aesthetic thought of hisattention to summarizes the painting of north China of core value system.