Analysis Of Liszt’s Philosophy In Progam Symphony

Influenced by romanticism, nineteenth century art circles are keen to start engaging with the sister arts combined art creation, attempts to strengthen the artistic expression through this way. Programme music is such a thought in the effects of music field representative, obtaining development and maturation at this moment. Programme music is extremely significance in the creation of Liszt’s works.He responsive to the romantic thoughts with the requirements of his own music perception, as well as the romantic musical forms are the most creative exploration.This article will relate to the title symphony-and the symphonic poem, which is one of the classic. Their creation process across Liszt’s life, growing up together and maturation with Liszt, and contains the philosophy that they have a deeper connotation. This philosophy is result of the life and the emotion experience, influence and other forms, showed the characteristics of a contradiction. At the same time, the thought of philosophy has also influenced his music creation.This article from the "philosophy" of this perspective, in clear music of the philosophy and Liszt’s philosophical connotations on the basis of further analysis for its reasons, and title contains in philosophical symphony of the technique and its performance are analyzed, finally from Liszt "philosophy" inheritance and contemporary composer of the comparison of analysis, from different sides to understand the Liszt title in the philosophical symphony, deepened the understanding. The article attempts to liszt title of "philosophy" for a more comprehensive analysis, so as to a more profound understanding of Liszt and the title of his music.