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Calligraphy And The Aesthetic Rientation Of The Ketching-ideas Manner

Posted on:2013-04-24Degree:MasterType:Thesis
Country:ChinaCandidate:S L ZhangFull Text:PDF
GTID:2235330374453150Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In the world of Oriental country with an ancient civilization,The calligraphy andpainting freehand brushwork in traditional Chinese painting on one thousand to benumbered, the history of the intellectuals of the infinite wisdom, Alongside them comea long years,According to each other and to hold phase, Form the circulation system ofself-sufficieinethics,thinking,aesthetic gradually tend to be on an organicwhole.Calligraphy sketching-ideas manner is Chinese traditional culture in unique art,calligraphy and painting homologoush fellows and similarly, in the use of materials,tools, in philosophy thought and aesthetic idea, and in the creation concept and moralrequirements has reached the height of the unified。The calligraphy and paintingfreehand brushwork in traditional Chinese painting on China national uniquephilosophy, literature, aesthetics in a body, is the symbol of the character of Chinesenational culture。One thousand years after things change and circulates, the history ofthe original drawing by, as the national non-renewable precious historical and culturalheritage.This paper calligraphy as a kind of cultural point of view the calligraphy andpainting freehand brushwork in traditional Chinese painting of the developmentdirection, from ink, layout, interest and knowledge and discussed, through the analysisof the features of the development of the various formats, the paper expounds on theinfluence of the calligraphy sketching-ideas manner. From the traditional philosophy,literature, aesthetics, with a bright example, layer upon layer the thorough, both as thedevelopment and change of the picture scroll in the viewer out front. And finally led toGaoHuiMin in the north of China painting of flowers and birds, for example, to analysis,the summary put forward the calligraphy and painting freehand brushwork in traditionalChinese painting common aesthetic value。orientation, namely "eager to learn blend","good point no trace","not more than CongXinSuoYu moment", for both thedevelopment of future law provides valuable academic reference, to Chinese landscapepainting, figure painting and all China’s "freehand brushwork in traditional Chinesepainting art" of the future development trend of the same significance.
Keywords/Search Tags:pen and ink, Layout, Artistic conception, Knowledge, Blend eager to learn
PDF Full Text Request
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