The Thought Of The Description And Evaluation Of Yelang Aesthetic

As early as the twenties and thirties, The modern transformation of traditional aesthetics has been given rise to the esthetician’s connotation by Zhu guangqian,Deng yizhe and Zong baihua. Today, The problem of bottleneck has restricted the development of modern aesthetics have not resolved. Chinese classical aesthetics is the source of Ye Lang’s connotation, the central areas of "imagery" is the ontology of the his aesthetics, With the integration of traditional aesthetics and modern aesthetic, With the inspiration and penetration of Eastern aesthetics and Western aesthetics, and with the cultural perspective, Ye Lang examines the relationship between the aesthetic and its adjacent scientific, implements the organic collision of classic and modern, East and West, the theory and application, and establishes a more mature modern framework of aesthetic and explains systematically his own aesthetic ideas. Because of grasping Ye Lang’s aesthetic ideas, especially grasping its imagery’s ontology, It’s better for us to pursue the cultural implication of the Chinese classical aesthetics, and continue to search the developing beacon of modern aesthetics. In this paper, the "image" as a clue, I will analysis and research on Ye Lang aesthetic thought.By four chapters constitute the Article, The first chapter is the formation of his life and aesthetic ideas of Ye Lang Review. Divided into two. The first part is Ye Lang and his academic trajectory. Focusing on relating Ye Lang’s schooling experience and Culture digestion.The second part is to carry up the origins of the aesthetic ideas of Ye Lang.Focus on searching the origin of ontology of imagery in the Chinese traditional aesthetics and contemporary Eastern and Western aesthetics.Chapter Ⅱ Comprehensive Review is commentary of the basic content of Ye Lang’s aesthetic ideas.This article is more important exposition of the full text. To illuminate the ontology of imagery, to re-differentiate the field of aesthetic and the category of the aesthetic to seek aesthetic life.All of this constructs Ye Lang’s complete aesthetic system. This chapter is divided into four parts. The first part is the elaboration of how the imagery from the aesthetic category to sublime ontology of aesthetic.Ye Lang based on traditional Chinese aesthetics, giving the "image" to the new implication. The second part is about how dose he to propose the proposition of "aesthetic is imagery":The two " negativism " established "image", and similar concepts to clarify, in order to make the image become justifiably ontology of aesthetics.The third part is to explore the implication of "aesthetic is imagery". In this paper it’s the most important part. In this part, I investigate distillation of imagery from it’s structure, fabrication and characteristic. I also think about the unity of aesthetic and aesthetic feeling.The last part is to analyze the embodiment of the image in the aesthetic field.The third chapter is a supplement to the second chapter. Discussing the aesthetic activity and life. By the entry point of the concept of the aesthetic life, by the relationship of the aesthetic life and aesthetic activity. Ye Lang interprets aesthetic education and life realm.The fourth chapter is the exposition of the limitations and value of the times of the aesthetic thought of Ye Lang。Ye Lang standing height of the times, Insighting into the Aesthetics of Images in deep thoughts。All this brings new Living Spring to the swap of the thought of Eastern and Western aesthetic. But, in disseminating of imagery, he does a little only. This is nothing more than a great pity in their academic career. However, Ye Lang analyzes Chinese and Western cultures, philosophy, and artistic spirit and essences of the idea of marrow-"aesthetic is imagery",and on this basis to build the modern aesthetic system,. All of this that Ye Lang does is the contribution to China even the world aesthetic,It has a great significance and value in this day and age.