The Late Ming Ceramic Flower Study

Objects are the main carrier of human life, which reflects the progress of humancivilization as well as links to people’s material life and spiritual life. Ceramics as oneof the most important human Appliances, even some simple porcelain is also areflection of people’s interest in life. We can see from a lot of the Late Ming Dynastyceramic flower, ceramic flower is popular in the late Ming Dynasty, so that peopleunderstand the development of social porcelain grand, as well as the aesthetictendencies of the people, to provide some reference for the present people’s lives.Paper is divided into five parts, the first part of the preamble to the overallinduction and presentation of the source of the topic of this article, the status of thestudy, purpose, significance and research methods; the second part of the body of thefourth part of this article, the second macro background according to the prevailingeconomic development, cultural development, the rulers preferences respected scholarto explore the impact of the Late Ming Dynasty ceramic flower; third part is toexplore the ceramic flower is how to reflect the quality of life pursuit of people’semotional outpouring; the fourth part of the article focuses on the sections in thischapter starting from the shape and decoration aspects of modeling forms, decorativetechniques, and aesthetic principles of the Late Ming Dynasty ceramic flowerdescribed and summarized, and a systematic combing; the fifth part of the Late MingDynasty ceramic flower of modern ceramic flower design revelation for theepilogue.The theoretical research practice, they can play a guidance role to the practice, butpractice is the sole criterion for testing theory is correct or not. In the thesis writingprocess, I proceed from the theory and practice, a lot of access to relevant information,through practice are summarized, and in-depth analysis and comparison of thetheoretical data access. Outside to the inside of the Late Ming Dynasty ceramic flowerdepth, combined with the documents and materials collected in the late Ming Dynasty,a large number of written records and pictures, to identify the entry point of the LateMing Dynasty ceramic flower, and contact Modern ceramic flower design and acomparative analysis, combined with their own views of the Late Ming Dynastyceramic flower to complete the research of this subject.Ming Dynasty in the late ceramic flower device aims to achieve the followingpurposes: on some system of text combing and described the Ming Dynasty in the lateceramic flower device, in order to explain the Ming Dynasty in the latter part of this special era of large background ceramic flower control the prevalence of because,including the analysis of the background at that time, in the embodiment of the pursuitof quality of life and people’s emotional as well as ceramic flower shape diversity andthe richness of the decoration of research to interpret the development of the LateMing Dynasty ceramic flower grand In order to inherit and carry forward thetraditional ceramic flower art treasures in the contemporary context, the future, to Wuand Green, the theory of reference for researchers keen to study the Ming Dynasty inthe late ceramic flower, hope for the future a more comprehensive theoretical studyfrom the to serve as a stimulus.