Freehand is the core language among the Chinese art, which also has aestheticcommonality to constitute the most important element of independence. As the mostimportant expression of the traditional culture and artistic spirit, freehand is a miniatureof the traditional view of art. Borrowing from the vocabulary of Chinese traditionaltheory, it is not only the revaluation of the value to our country’s traditional culture, butalso acknowledge in-depth and excavation. The purpose is not to hold the narrownationalism attitude to duke it out with the foreign culture to seize the right of discourse.China as the biggest ceramic country in the world, only based on the traditionalcultural concept, can you find the point of creation and the combination of modernculture trend to establish a solid road for the development of our country’s modernpottery art.Based on the current situation, this article has several aspects to make a study asfollows: First of all, make the concept analysis of the freehand brushwork and modernpottery, and discuss the freehand trait of modern ceramics, including the analysis andresearch of creating and the production of ceramic; Secondly, discuss the cultural spiritand aesthetic interests of freehand ceramics; Thirdly, use representative modern ceramicart works to make analysis about reflect of freehand brushwork; Finally, elaborateChinese freehand influence and significance on the development of our country’s modernceramics. |