The Psychological Realism Analysis Of Lou Ye’s Movies

Under the influence of Freud’s psychoanalysis and Sartre’s Existentialism, psychological realism fuzzy reality and emphasize the heroine’s subjective perception, they pay attention to one’s own spiritual condition, people with the surrounding community relations, and relations between each other, rather than purely external world and show to expose. Related to this, also formed a series of unique psychological realism technique of expression. Along with Lou Ye’s movies <Weekend Lover>,<Don’t Be Young>,<Suzhou River>,<Purple Butterfly>,<Summer Palace>,<Spring Fever>and <Flower>and other work of trajectory, he can be seen that through the personalized image,Lou Ye consistently pay close attention and reflection to the different times of urban individual spirit world. Lou Ye’s films always pays attention to the individual internal emotional state, he attempted to record object of the spiritual world by the camera and explore the deep inside and the outside world equally complex individual spirit. His films show the spiritual world of reality and profoundly reveals the characters esoteric and complicated spiritual world.Lou Ye’s films were this research object, through the analysis of the work, exploring the" Lou Ye " style, thus trying to find Lou Ye’s psychological realism characteristics. The first chapter of Lou Ye himself and the creation of a brief introduction, while the research on Lou Ye’s historical literature, finally explained the purpose and significance of the research; the main body of the second chapter summarized in literature and the cinema of psychological realism aesthetics characteristic as well as the Lou Ye film in the psychological realism style forming reason; Chapter third from conversion to the growing psychology, be eager to metropolis psychology and confused awkward sexual psychological three aspects analyzes Lou Ye the lives of the characters in the spiritual world; the fourth chapter mainly analyzes the Lou Ye film in the real world, from the edge of the characters, the ruined city image and poetic daily three aspects of life fully discusses the film showing the objective spirit with the external world represented by the soul of color; the fifth chapter from the open structure, quiet time, fracture space, shaking the long lens and the expression of objective things perspective, expounded the Lou Ye film in the psychological realism artistic techniques; the sixth chapter briefly discusses Lou Ye psychological realism movie practical significance, including realistic The continuation of the spirit of humanism, convey and individual of salience and demands on three aspects. At the end of the paper, Lou Ye film features, attempting to explain its film has been expressed to the inner world of human attention, and through this attention eventually reach concerned about society, about a time purpose.