Ai Qing Poetry Style Conversion

Ai Qing’s poetry style, focus on three aspects of his poetry style changes——the thought subject, the aesthetic form, the poetic form——and the main reason. This article consider that Ai Qing poetic style has gone through three conversion:The first occurred in the early1940s (especially the Yan’an period). In the thought subject, the poet change from the focus on and describe changes in the urban and the rural experience to the description of the suffering reality and their struggle; In the aesthetic form which presents a new features during this period, from the subtle and deep to the weakening of lavish straightforward and the beauty of the weakening of the image in poetic; the poetry style of change is mainly reflected from Europeanized to the spoken language style verse arrangements from the free to the symmetry on. These conversions with the change of the poetry audience their creative ideas and wartime recite poetry movement.The second occurred in the early1950s. In the ideological themes, this change in the mediocre praise of the poet after the founding of a new life; In the aesthetic form which is reflected from the melancholy to cheerful, from the lyrical to the change of realism; In poetic form, is reflected in the aesthetic form rhythm from free to uniform homogeneous change and the widespread use of rhymes. These conversions with the poet and folk songs and his personal experience at a particular time.The third took place in the new era. In thinking on the subject, this shift to the performance of the macro thing lyric poet to face, and after returning to explore and reflect on. Aesthetic form, is embodied in the establishment of simple style and" thinking "of character enhancement. These conversions with the change of the reflection Prevalence and poet awareness of home and country.