"Subjectivity" And "Objectivity"-According To The Oil Painting Landscape Sketch Subjective And Objective In Performance

Landscape sketch can exercise the painter’s observation, colorexpression, cultivate the painter consciousness of subjective dynamicconsciousness. But, the sketch of the process is not on the outside of theobjective things mechanical depict, and should play a painter’s initiative,make the painter’s subjective consciousness can be reflected in his works.As a painter, should know the value of painting in any place,"the heart ofcreation, division of the source", landscape sketch is a double process,since want to pay attention to the expression of the subjectiveconsciousness, but also to respect the rule of objective image. Throughthe landscape sketch this a way to practice the theory of oil paintingnationalization proposition.But the current oil painting areas, there are some who have a on alocal culture inferiority complex, although they use oil painting skillperformance of the local Chinese mountains and rivers, but it’s hard totouch people, which is missing in the national spirit has to say and not.Therefore, we should be more aggressive absorbs from the traditionalChinese painting, theory, create the China bearing of the works.Especially in the new period of art diversification, the oil painting"nationalization" is not simply refers to the sinification of representation, and should be deep thought consciousness, aesthetic taste of Chinese.In this process, although there are a group of artists in therepresentation and thought consciousness continued to get breakthrough,works show Chinese traditional artistic conception and cultural spirit. But,to be sure, the under the influence of market economy, the part of thelandscape painter in this not done enough, at the same time as therelationship between theory and practice is missing,"nationalization"claim and didn’t get the effective implementation.This paper in the structure is divided into three parts, through the oilpainting scenery the sketch of the current situation and how to showemotion in the sketch as the main line discusses the oil painting art in theprocess of the sketch of the subjective and objective performance with theunity.The first chapter is introduction, the thesis mainly to the background,theoretical value and practical significance, the domestic and foreignresearch status and paper the research methods and the structurearrangement for simply introduced.The second chapter of oil painting art field through landscape sketchedition piece development thought a brief comb, in order to thesis sourceand realistic significance to have a clear understanding, through analysisof landscape sketch oil painting in the development process of the sketchcontext and the principles that should be followed with China’s oil painting scenery, the problems of the sketch, and concludes that the oilpainting landscape sketch subjective and objective in combination offar-reaching significance. Oil painting the sketch need the painter’s lifefeeling and emotional refining, this also is China’s painting "the heart ofcreation, teacher source" content is. The objective objects for subjectiveprocessing, to thick live essence, truly reflects the painter to the life andto understand the nature.The third chapter of Chinese past dynasties through art theory aboutthe Lord and objective of the theory of relationship between the latest,fully realize oil painting in the process of landscape sketch can learn fromChina’s traditional theory of rich nutrition theory.The fourth chapter of painting works through specific scenery aspellucid analyzes, from real operation further deepen the creation ofsubjective and objective in the understanding of the factors, and the oilpainting scenery the sketch in the process of creation subjective andobjective between the two of you to change the detailed analysis, so as todeepen the understanding of the theory and practice of interaction.Art creation is a subjective and objective image artists rely on eachother and combination of the process, the sketch as oil painting in themost important ring, the painter is the most direct expression of eyesscenery, but not to the real object of simple imitation.In the context of modern art, oil painting art is not only to do skills nationalization, more to be in ideology, aesthetic taste, to complete thenationalization. For the Chinese oil painting nationalization, proposition,we should consciously avoid the trap of conceptualization, from theactual operation of the settlement of the oil painting nationalizationproposition. Proficient skills, Chinese landscape, the Chinese and theperformance of the composition is not the nationalization, the realnaturalization complete from ideological of oil painting’s reform, reallyconsistent with the Chinese aesthetic interest. Only in this case, oilpainting the foreign painting type to become part of the national cultureof our blood, to truly reflect the feelings of our national spirit. Amongthem, the sketch scenery as the medium, to correctly handle thesubjective and objective in creative process, the relationships between thenationalization of the practice of oil painting proposition has importantsignificance to explore possible.