The Heart-thrilling And Plaint-Iingering Love Aria

Giacomao Puccini is a great compose of verismo opera from Italy in20century. He made the composing of verismo opera reach the tallest acme. He is also the most productive and successful musician. He composed12operas in his life like the "La Boheme ""Tosca ""Madama Butterfly " and so on. They are the typical opuses of him. These unfailing operas are still played in the theatres all over the world especial the heart-thrilling and pearlescent tenor aria. For example the "E lucevan le stelle ""Che gelida manina ""Nessun dorma " and so on. These typical arias are not only played in the operas but also singing dependent in the concerts. They have become the indispensable large works for tenor singers and audiences. Many young singers who have sing these arias become professional singers from then on. As a singer we must learn the music characteristic and writing style of compose in order to grasp its style and annotate its roles.The first chapter in this thesis mainly expounds the music writing and verismo operas. It includes3aspects:The first one is about Puccini’s opera composing. It includes his lifetime, composing divide and typical opuses. The second one is about the verismo operas. It includes the generation, characteristic, influence, representative personages, representative writings of verismo literature and the representative personages, representative writings of verismo operas. The third one will talk about the relations between the Puccini’s opera composing and verismo operas. The second chapter will focus on the analysis of the8tenor arias from the6operas by Puccini in the different composing divides. For instance the introduction of the operas, the introduction and view of tenor roles, the information of the arias, the background of singing or annotations and so on in order to annotate and taste the artistic charm of tenor aria by Puccini. The third chapter will expound the artistic charm of tenor aria by Puccini. It includes4aspects:First is the melody of writing. Second is about the content of the writing. Third is the emotion expression. Fourth is Puccini’s composing style and characteristics in the music style of aria. Chapter four will taste the artistic charm of the tenor arias by Puccini from the listening. The writer will make a contrast about the action between the greatest singers from different times who had been sing Puccini’s tenor arias by sound recording. Make clear of the tenors’ types and the skills the singing like legato or portamento in order to annotate these artistic charms of love arias perfect. Though the analysis of Puccini’s opera and aria composing we can make a clear coordinate of teaching or singing Puccini’s aria and provide some guarantees for roles’ reappearing or artistic charm’s annotation.