The Comparative Study Of Yang Guifei In Classical Chinese And Japanese Drama

Chinese Yuan dynasty drama and The Japanese Neng-drama all has more than six hundred years ofhistory, now tied for the list of <the United Nations intangible cultural heritage representative work>.The Yuan dynasty Drama arose in the Tang dynasty. When the song dynasty as the citizen economicdevelopment has become a kind of independent acting style. But when the yuan dynasty drama ofdevelopment to the heyday, in the fusion since the tang music, rap, the dance and so on the basis of a geisha,forming the unique drama form, they called the yuan drama. Neng-play is one of Japan’s traditional drama.14-15century since beginning in. Neng-play is a kind of fusion dance, drama, music and poetry stageperformance art, in Japan’s traditional drama art plays a significant role. So far, still be the Japaneseregarded as one of the "national art". Princess-Yang is the traditional drama of some characters, the twocountries have an important position in the drama and significance. The two countries of culturalsimilarities and differences between, especially differences, in a total of characters Yang this reflected onmore fully. For the two countries in the drama "Princess-Yang" this image contrast analysis, yuan zaju"wutong rain" and "Yang" can happy as the most typical two examples. The same for the eastern drama, theyuan drama and the Neng-drama it has similarities and differences between them. This paper, from thecultural background of the two countries, through the plot differences, structure, the difference imageevolution process, etc,to analyzes the classical theater in Japanese music characters in the Neng-dramaaesthetic features in common with profound differences. In order to find out the traditional and culturalpsychology of the differences between the two countries in the development process and characteristics ofdrama the important influence.