Research About Green Landscape Paintings Of Zhao Boju And Zhao Bosu

ZHAO Boju and ZHAO Bosu are called “two Zhao” in Chinese painting history. They are imperialclansmen and are famous green landscape painters in southern Song dynasty. Besides Jiehua and figurepainting, they are especially good at green landscape painting. The green landscape is a typical form ofcolor meticulous enduring mineral azurite, malachite green of various colors to depict mountains and rivers;it opens up the history of Chinese painting coloring the landscape of the first of its kind. The greenlandscape was a major form of the Chinese landscape which comes from the green landscape; it maturesearlier than the ink landscape painting in spread first. After the painting of literati springs up, landscapepainters was the feelings of the color gradually indifference.It is derogatory and discriminatory, greenlandscape was gradually being squeezed out of a painting of the mainstream position. As late Qing Dynasty,the green landscape novelty less green landscape painter mostly antique send landscape mainstream styleone-sided "Siwang" ink landscape. In addition to few experts and scholars, the public is almost unaware ofthe green landscape what kind of outlook is. The green landscape has distinctive decorative and colorfulapproach skills with rigorous image and bright exaggerated colors, and has strong visual appeal. Therefore,as the younger generation should carry forward the advantages of the traditional green landscape, inheritingthe tradition based on the green landscape to flourish.In the history of the green landscape, ZHAO Boju and ZHAO Bosu had high status. ZHAO Boju andZHAO Bosu changed the resplendent and magnificent, ornamental traits of green landscape paintings inTang dynasty. The traits of their green landscape paintings are of beautiful and elegant human interest.Their green landscape paintings appear very fine workmanship and of morale.ZHAO Boju and ZHAOBosu created a new green landscape painting which was between imperial-court decorative painting andpainting of man-of-letters. Their green landscape paintings appear more fine workmanship and detailed.The color of their paintings is not only resplendent and magnificent but also lovely and lively. Theyproperly use the techniques of ink landscape paintings and mixed with the ‘artistic conception’ from thepainting of man-of-letters in their green landscape paintings. Besides the brightness and beautifulness ofgreen landscape painting, the elegant ease of painting of man-of-letters are their painting styles. The formation of their painting styles is related to three factors: social factors, physical geography factors, andpersonal factors. Their painting styles bring a great impact on later paintings. QIAN Xuan in Tang dynastymade the scholar turn of green landscape painting under the influence of their painting styles. Theirpainting styles are of significant reference for the creation and development of modern Chinese paintings.The moment is an economic prosperity society, the society is harmonious and the theme of today is theharmonious development.The green landscape of ZHAO Boju and ZHAO Bosu is in keeping with it.Therefore, the significance of pioneering the development of the traditional green landscape is very obvious...