The Death And Life In The Tarkovsky’s Film

In the film’s field, almost all directors’film to the portrayal of life and death. But like the Tarkovsky is so focus and highlights the performance of life and death issues, is still rare. As a well-known artists, Tarkovsky’s theory such as sculpting in time, dreams, poetry film, long shot, as well as the strong characteristics of the Orthodox Church complex has been a hot topic of future generations. Life and death is an important theme of the same inquiry in the Tarkovsky’s film. I am start from Tarkovsky’s movie, the overall description of the movie explore the life and death issues.This dissertation consists of five parts:the preface, a main body composed of three chapters, and an epilog.The preface briefly introduces the life and death issues of concern to the Tarkovsky’s film. And explain the related concepts of the ontology of death and the impact on the history background of the view of life and death of the Tarkovsky’s film. Define and limit the object of study, this paper discusses the process of the use of theoretical tools and methods.The first chapter describes Tarkovsky’s movie content and characters:War in the Ivan s childhood, crucifixion in the Andrei Rublev, dying in the Solaris, struggle in the Stalker, religious meaning in the Nostalgia, eschatological panic in the Sacrifice.The second chapter in accordance with the analysis of the first chapter, the initial show Tarkovsky attention and consideration for life and death. Expansion of the category of death in the Tarkovsky’s film. In addition to the physical death of the material, Tarkovsky more attention to the death in general such as crucifixion, loneliness, banishment, crazy and salvation. In the field of death to some extent also the connotation of life. Through a broad interpretation of the concept of life and death, the analysis of the cultural background behind.The third chapter return to the Tarkovsky’s film, to reproduce the death scene in the film. Through the analysis of the film, to explore Tarkovsky through the film to express the life and death. To sum up three major expression:the image of the natural elements, the image of dream, the long shot.The epilogue in the final summary of the ideas of the entire paper, combined with Tarkovsky’s growth environment and history background, to conclude the originality of the fate in the Tarkovsky’s film is face to the death. He knows about that death is the ultimate destination of the norm in the human’s life and it is can not escape. The human being still devout sacrifice to save death. Instead of passively waiting for death, as free and conscious death over death. The logic of such a negation of negation, the more positive the value of life meaning.