Studies On Post80s Literary Criticism

Post80s is one of the special literary creation trend which is in the network times. And it is one important part of the new century literature. Post80s literature has developed for a decade since its appearance in the1990s. In the age of high-speed social development, ten years is enough for a tide to be mature. The decade witnesses the overnight fame of post80s literature and also the silence after its fame. It is safe to say that it has experienced summit as well as low ebb. The mainstream literature kept silence about post80s literature at first, which could be explained as the resigned move as the discourse right was seized by the media criticism. However, it began to accept and even gave support to post80s literature in recent years. During the period, the media criticism withdrew while the mainstream criticism became hotter and hotter. In the current, pure literary study is almost impossible as literature was placed in complicated social context. The problem that the researchers care is how to combine literary study with cultural study. The thesis aims to discuss the history, current situation and problems appeared in perspective of criticism on basis of previous thinking. As the open and contemporary nature of80s criticism, it is under question whether post80s literary criticism is classical. The purpose of the thesis lies in providing a perspective of thinking for reference instead of arriving at a classic conclusion.The thesis is composed of five parts.The first part is introduction which treats of approach, thinking of research and the meaning of the subject. In addition, a simple summary of problems appeared in post80s literal study is added in this part.The second part as chapter one of the thesis concerns analysis and summaries about background of post80s literature. This part can be divided into two sections. The first section discusses two issues which are who proposes post80s literature and rationality of nomination of post80s literature. The second section focuses on the specific background of post80s literature.Chapter two is mainly about the analysis of post80s literary creation and text study. This chapter is the core of this thesis, and it can be divided into two sections. The first section is the research on the literary creators, including the discussion about the classification of creators and the current situation of the study. The second section is the focus of this chapter which is analysis of text study of80s literature, and that includes the review of current situation and organization about research hot spots.Chapter three is the fourth part of thesis which mainly emphasizes on the reader research. The first section first discusses the reason of good market of post80s literature and summarizes it for three aspects combining with relative texts. Respectively are the attention to readers’ aesthetic anticipation; accurate grasp on popular factor and exact orientation about readership. Secondly, the research on the new tricks of the readers which can be summarized as the following aspects, the readers’ idol complex, particularity of expectant vision in reading, conscious feedback and strong feedback impulseThe fifth part is the conclusion of the thesis. In which, the author emphasizes the limitations in the post80s literary study and makes a bold predication about two possible trends in its development.