Theory Allegorical Of The New Century Novel

China is a kingdom of the fable, is the world of the fable three cradles, appeared like ZhuangZi, Liu ZongYuan this fable master, fables developed, also affect the creation of novels, in Chinese novels at various stages of development, we all can see fable spirit and traces of creation. After20century, modern socialist literary trend rise, from the characteristics of modern socialist novel look, allegorizations become novels rather obvious creation tendency, from Karl d Enoch, kafka, Joyce, Garcia marquees, Heller, Milan; Kundera, and other modern socialist master’s works, we can see a strong color of the article. And the world modern socialist literary and artistic ideas to China in the new period the influence of the novel is significant, a large number of works through the use of the article writing style, so it works more complex and philosophical, entering new century, this article not only to continue, some text also behave more consciousness and mature, has become Chinese novels in the new century a notable aesthetic features.This paper attempts to new century representative writers and works to be comprehensive reading and analysis, from the performance of the classical Chinese culture tradition and modern western literary trend of the influence, And then use the Benjamin’s fable theory, from the whole of new century’s novel creation tendency to comb the article system, from the deep meaning and the art form two aspects the article thoroughly inspected creation characteristic, the creation of the new century clear trend novels and promote the effect of meaning. Reflect on them and foreign classic allegorizations novel the gap between China and how to realize the new century of the novel and innovation breakthrough allegorizations.