The Research Of Irony And Polyphony

In the current literary reality, irony and polyphony are emerging as the key terms, both charged with rich content works, so that works to achieve specific aesthetic effects of the task, in the modern narrative theory occupies an important position. However, many scholars did not always distinguish between these two clear, there is often ambiguity of the situation ambiguous. Faced with this phenomenon, I believe that although the irony and the dual has a very close relationship, but between them there are still fundamental differences. This paper from the relationship between the two start to gain a deeper understanding of these two important narrative theory.In this paper, the structure is divided into three major chapters, respectively, from the ironic tone of these two theories and the complex itself and the links and differences between the three aspects discussed in an effort to make their precise nature and content and accurately grasp The links between them and differences can be discerning and not confused.The first chapter describes the theory of irony since the beginning of the 16th century to contemporary literary theory in the content flow in each period, while the language of the text from the micro level, the overall structure of the text of the macro level, the combination of specific literary works, for example, made of irony Defined and discussed its characteristics (type of involvement of non-bluntly, unreliable narrator, disobedient both parties) and forms (verbal irony, irony structure, form of irony, the situation of irony.)Chapter II also reviews the first of the content development process of polyphony, then the provisions of its meaning to many voices, dialogue, openness as a basic characteristic of polyphony, and finally from the text language, text structure, text view And characters, the narrator and the implied author point of view of the contradiction between the four forms of polyphony.The third chapter is to explore the irony and the theory of polyphony critical relationship between the two sections. Very close links between the two, respectively, by the irony of this chapter in the complex polyphony is to reconcile. two aspects of irony to be described. At the same time, we can not ignore the difference between the two, this difference is mainly through the irony and the dual control was taken by the dialogue of the position, character status differences, the two terms on the differences in their content Side reflected. We can simplify that:Irony mainly refers to two things (consciousness, the characters, events, etc.) constitutes a negative relationship between the formation of a latter on the former reveals the negative, defeating, irony and so on. Polyphony refers to a variety of works in the sense of independence and tie, there is not a dominated consciousness. This can be regarded as the most major difference between the two theories.