The Study Of Several Drawbacks Existed In Chinese Animation Film And The Solution Thereof

It is different from today's role of Chinese animation film art in international, Chinese animation film was claimed as the "Chinese animation school", because of its unique national charm and artistic expression. After the end of the last century hobbled even stagnant condition , on the one hand China's animamix art obtains the government's strong support on the other hand around the anime creative team expands gradually, the cartoon base increase annually, cartoon works, the output is also increased dramatically. Animation industry in China is growing vigorously, animation film as an important branch of animamix art broke the old business model, and has made considerable progress. Many problems were revealed in this process. Film and television animation works have become a focus of study. But the research often focuses on industrialization and technology, a few of paper study the animation from a perspective of esthetic. The analysis of animation text ontology and the reviewing of animation concept are absent. For example, the understanding of spiritual nature of animation, the bottleneck of originality caused by the narrow orientation of audience, the precious resource of the national culture lack reasonable mining and ingenious expression, the simplification of narrative pattern, etc. The thesis is divided into three parts that contains five chapters. In the first chapter, article will investigate the Chinese animation film development environment and the developing situation briefly, on these bases the article will analysis the disadvantage of creative idea, the defect of the choice and narrative of story, the deficiencies of blending national characteristics. The second chapter to the fourth chapter is part two of this article. This article will study the question that proposed in first chapter. And some improvement ideas and methods will be proposed respectively in this part. The thoughts and methods will be summarized briefly in the fifth chapter.The purpose of this article is not to obtain metaphysical researches or macroscopic theory,but try to find a little thoughts and methods that can be beneficial to the update of creative idea and development of the Chinese animation film. Find a way to integrate the national characteristic to the animation roles, on the premise of mastering the specific function of the narrative elements. Seek methods to change the condition that emphasizing imitation and ignoring originality. Analyze the necessity of enriching narrative technique. At the end, this article will give a conclusion.