Xiangyun Pattern In Modern Graphic Designing Of Exploratory Applications

Traditional auspicious patterns of Chinese traditional culture is the important constituent, has a long history, originated in ancient times totem, different experience dynastic change and development, in the modern civilized society to continue and innovation, until this day has a strong vitality. It contains many people can explain and not explain phenomenon, things often entrusts the mankind's fine yearning. Xiangyun grain appearance as a kind of unique modelling language is a traditional Chinese seventeenth-century patterns in the outstanding representatives. Because of its contains a lot of good intention, so get a people's popular, to generation inheritance, circulates.This paper first studied traditional xiangyun pattern in different historical periods development and style characteristics; Secondly in-depth understanding of the patterns of the traditional implication and lucky artistic features, thereby better understand Chinese culture concept and aesthetic consciousness; Once again through the patterns and the modern graphic designing clouds, and puts forward the relationship between traditional xiangyun designs seek the importance of involved in modern graphic design; Finally the extraction from xiangyun pattern shape, colour, meaning the grasp of the three aspects of the inheritance in using modern graphic design were discussed and puts forward the author in the modern in graphic design, to the traditional pattern of the inheritance is not the "form" simple imitation and copy, but the tradition modelling of again creation, is change of reconstruction. Meanwhile in using modern graphic design patterns xiangyun when, want to notice to national culture spirit heritage, should give full consideration to the correct use value, focus on the development of the society, and diversified patterns in modern graphic designing present has characteristics of culture, nationality and changes of The Times.auspicious and meaning of better into the modern design concept, send out a new vitality, this paper is aimed at resolving to explore and the problem. We firmly believe that as long as the traditional xiangyun pattern, as a representative of the traditional art of spirit and temperament among into modern graphic design, then with the Chinese characteristics in modem graphic design must be able to go to the world.