Discussing The Succession And Development Of Song Yu Fu From The Shaping Feminine Image

Song Yu was a writer who was famous for Fu Style and loving"Chu Ci", new literature of Fu Style created by him symbolized finish and change of literature in pre-qin Dynasty. Song Yu was well-known as Qu Yuan since ancient times, but research of Song Yu was few compared with Qu Yuan. This thesis aims at inheritance and development of Fu Style of Song Yu from the point of shaping feminine image so as to help people to get further study of his works.In short, Song Yu inherited and developed the way of shaping feminine image of"Classic of Poetry"and"Chu Ci". With unique aesthetic conceptions and view of women, he shaped a series of vivid and touching feminine image.Refer to Female characters, the works of Song Yu are Gao Tang Fu, Goddess Fu, Deng tu zi Fu and Feng Fu. Song Yu depicted female according to his view of male in his Fu Style. With mundane wishes, he shaped goddess like grace and unsullied fairy, or a passionate and beautiful girl. He viewed female at rigorous aesthetics, and shaped neighbouring girl, polite girl gathering mulberry leaves, frivolous and impolite daughter of host as well. He was the first one who depicted ugly female in Chinese literature and figured typical image of wife of a lascivious man, which exerted a far-reaching impact on Gorgon literature.Song Yu not only inherited figurative way of"Classic of Poetry"and"Chu Ci"as well as shaping image from psychological and scenic aspect, but also creatively combined exaggeration and comparison, dynamic and static, virtual and practical writing in order to embody female elegance completely. Song Yu's Viewpoint of female is secular from life. He regarded female as"appreciate","privite","toy"and"tool"like common people.Although female written by him lost aesthetic status under strongly male-dominated culture, female still struggled in"love"and"li". They wanted to show female self-consciousness through expression of self aesthetic judgment and view of love.