The Study On The Aesthetics Of Music In Shangeshe Groups

This article take "Shangeshe" groups music aesthetics perspective, and as a research object, the literature collected, analyzed, mutatis mutandis, in obtaining a large number of related materials, based on the combination of history, philosophy, literature research methods, and to the guidance of Marxist dialectical materialism, the " Shangeshe " groups creation Aesthetics of Music background, source of ideas, philosophical basis, kernel, and so thinking, the theory of macro-organic dynamic grasp, not only that, this article also directed the creation of study actually, its music, music education, reflect the spirit of the meaning of various angles of a full range of practices, all designed to reveal the " Shan geshe " groups thought the essence of music aesthetics kernel, make up the aesthetics of Chinese music Construction of the theory of lack of discipline for China's contribution to aesthetics System!Text by the introduction, composed of four parts and the epilogue. Introduction:This paper describes the " Shangeshe" groups Aesthetics of Music background issues, the reason; status of related research, academic process; and research methods, problem-solving basis, establish the basic ideas of this Study. Part I:" Shangeshe" background of the creation and population composition. First, the group on modern Chinese thought, history, cultural development and background, in order to comprehensive, dynamic reflection of this particular time and space: Secondly, from the group concept, the coexistence of time and space, the three aspects of the pursuit of common ideals summarized the similarities of this group cohesive. Part II:trace the origin of "group source of ideas and philosophical basis", reflecting the group music aesthetics direct source of inspiration. Part III:Through the creation of groups, speech, theoretical exploration. music education. music practice the specific sublimation, concise, deduction, from the "Art reflects reality and music to serve the public", "Value creation and the aesthetic demands of the public", " Nationalization of Aesthetic Experience and harmony-oriented practice" "inherited tradition and the implementation of Aesthetic Music Education", "music and music criticism dimension value judgments," reveals the five aspects of the theory of musical aesthetics kernel. Part IV:" Shangeshe" groups of the contemporary significance of music aesthetics and criticism, first of all, learn from historical figures, academic development, research in three areas, reflecting the Aesthetics of Music practical significance; Secondly, from the political inclination, national ills, utilitarian purpose point of view, to clarify the historical limitations of their aesthetics and missing. Strive to be comprehensive, fair and objective evaluation of" Shangeshe" groups the value of music aesthetics.