Preliminary Explore The Period Of Ming Qing Issues Related To Painting Style

This paper has researched oil painting phenomenon that had appeared in the Ming–Qing dynasties, and western paintings as the basic lines which transmitted by missionary, and preliminary to consider this period oil painting phenomenon's characteristic of the cultural identity. Western paintings extending in china is also the western learning was progressively extending to the east at modern china history. From the western techniques of painting was transmitted and change to the painter complete mastered it more than 200 years, and that was restricted of the court and among the intellectuals, also be controlled the basic traditional Chinese painting fingers. Orthodox and refined style became the main basis, and the foreign trade export paintings mainly relative of oil activities to Guangzhou in the coastal city. Generally speaking, from the Wanli period before the 20th century, the western paintings ideas and techniques has narrow influential in China. The three aspects: missionary work , court taste, export paintings, among them, a variety of reasons contributing to the cultural and artistic styles and ideas of conflict become the main and the greatest feature. During period of Ming Qing dynasties, western paintings of communication with the acceptance of the Chinese and western style combine cultural phenomenon of modern Chinese painting on the development and research has revealed some values of our contemporary business.