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Independent Intention Realization Of Drawing Formal Ianguage

Posted on:2012-10-13Degree:MasterType:Thesis
Country:ChinaCandidate:J W HuangFull Text:PDF
GTID:2215330368480038Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
When oil painting this ancient west art develops the present, now a generation of artist has given it many explanation ways. It takes the independent picture to plant the growth in the Chinese culture soil, only has near hundred year histories. Although the native place oils painter carried on each domain has explored quite valuably, although made for the Chinese oil painting's development has contributed quite valuably, but has not been able to support oneself throughout. Regarding agreed Si in quite long period of time the Shinao system's blind esteem also to cause exactly to the oil painting understanding prejudice, but this prejudice also manifested, in experienced, in the concept observation method. During this process, the sketch is completely to create under the effect way to carry on. The painter wrote off the oil painting sketch independent thinking possibility, the oil painting sketch degenerated into the creation slave, has lost the independence.. Or, the sketch has ready-made directive property facing the object, has neglected the sketch essential significance, has twisted to the real life true feelings true feelings, lacks the discovery and the zetetic. Indoor outside draws from nature in the process while this some reappearance intention and, when we undisputable to obtain the oil painting sketch effect, our thought without interest has been limited quietly by ours cognition, also entered the erroneous zone which in unconscious establish. At present, the oil painting sketch in domestic is in one kind of experience understanding the aspect, many aspects are dubious with the resonsideration.The rational knowledge is we the knowledge which and the experience summarizes from the nature, but after the rational knowledge is places the direct-viewing feeling, this was also while faces the object, the rational knowledge phenomenology has belonged to the parentheses, the termination judgment, but has gotten up by the suspension, but returned to the initial direct-viewing feeling to experience in the nature the object, only then could hold the object the real visual psychology feeling. The rational knowledge which summarizes in this experience object's way is reasonable, correct. The sketch should be the direct-viewing feeling before, rational thinking after. If carries on the direct-viewing feeling in rational thinking's foundation, that obtains the feeling on was different with has not felt intuitively take the rational thinking as the foundation, here rational thinking we might regard as the composition method which was the predecessor summarizes. Therefore, the study composition method is necessary, but must use in the sketch watches the way correctly. Ancient and modern all outstanding painters, they none who does not both are good at relying on the rational thinking which obtains to develop and to deepen their esthetic direct-viewing feeling, but the direct-viewing feeling is along with the natural object change, but the rich change; simultaneously and needs to obtain unceasingly the esthetic direct-viewing feeling foundation develops and deepens own rational thinking. The same physical image in the different time, looks like regarding the same painter also meets is dissimilar. The painter facing each situation is brand-new. As soon as then, the painter is not meets the stimulant to have the conditioned response, but faces is the opposite situation exactly, some kind changes unceasingly thing, therefore each time needs to discover one kind of new different response. When the identical physical image under the different time condition, adjusts the nature to occur quietly is changing, the change can stimulate the painter to have the different response, but catches the object real color. Moves not only empirical speaking of the painter will not play the auxiliary role, instead can take the hindrance effect, the cause deviation real object existence. The graphic construction is and penetrates the work in the work to realize. Said accurately that it is obtains the performance in the work, but obtains the reappearance. Here performance is not some kind of performance tensity result, is before by no means the work exists, serves as some kind to devise in advance realizes method. This kind of performance factor will not have the explicit effect, the painter is only at first develops in the sketch process toward some approximate direction, meets the new situation and will have the new change, the graphic construction will also differ from, causes the painter to have the new harvest and the recent development in the drawing practice. This article from oil painting drawing formal languages and so on sketch's visual psychology feeling, graphic construction, accent nature, composition proposed that with the custom understanding's in conflict, highlights to the oil painting sketch experience erroneous zone, under the Chinese tradition esthetics's cultural context, attempts to summarize a basic methodology. the question to will be puzzling the different time artist finally from now on, was driving they pass through West's space and time barrier, goes out puzzled, leads the way unceasingly.
Keywords/Search Tags:Oil painting sketch, Experience, Intention
PDF Full Text Request
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