| Nowadays, the phenomenon of copying from foreign countries still exists in our domestic animation designing. In order to change it, we have no choice but making our rode more national. Here comes a question, how can we make it effectively? From the point of tradition art, we can find a workable way combing with typical elements of tradition culture. There is no doubt that shadow figures as an outstanding exotic costume will have a great effect on modern animation.Under the pressure of foreign animation from America, Japan, Korean and some other countries, our domestic animation confronts with a huge challenge. Only we make it full of specialization, does it can stand out of the crowds? Our tradition shadow figure has a long history of art folk and contains various kinds of characteristics, thus it has extreme high art value. On the other side, the diversification of modern amusement life shrinks the space of shadow figures. Searching a way for its developing and progressing offers an appropriate opportunity.At first, I represent some concepts of Chinese tradition shadow figure and animation, with its history followed by. Based on the fact of these two aspects, telling some problems may exist during their developing. Obviously, the solutions will be put forward in the end. Knowing the difference between them from many aspects, such as its molding, coloration, carving, aria, musical instrument, get to the key point that the combination of Chinese tradition shadow figure and animation is the priority. |