A Preliminary Exploration Of Absorbing The Uyghur Mold Printing Elements And Developing The Regional Characteristic Of Xinjiang Woodblock

Mold printing culture as a kind of a long history of folk craft art forms and xinjiang printmaking ancient origin, its every element has a very deep meaning cultrully, interpreting Uyghur culture from different angles and aspects. A series of Mold printing design decorative elements constitute a relatively complete aesthetic system. The study of Uyghur mode, besides poke printing silk road and eastern and western civilization, especially the Chinese cultural history of multivessel pulse provides a powerful empirical research and explanation. Moreover, the study has very important practical value for the historic researches. The uyghurs aesthetic temperament and interest, customs, etc, also have folklore research actual value; In addition to the design of modern technology decoration has an important reference value for Xinjiang outside new techniques, new materials prints and creation, the more has its unique artistic value, its artistic value promotes development and rich modern printmaking in xinjiang region characteristic, increase its unique language forms and expressional gimmick.Today's Xinjiang printmaking absorbs all kinds of cultural elements, creative inspirations and apply a variety of production technique, through history, reorganization and scattered on graft and application form from the mold to poke printing techniques and designs and related elements arrangement, etc., to enrich forms of the form and make prints innovation technique, not only in the ways of expression has its distinctive place, and can use its unique way to express painter, can produce certain emotions of special artistic effect. Whatever prints art language update, how important breakthrough and create, printmaking forms of development and the creation, the art of configurational still maintained a national culture "traditional" spirit, even close to the contemporary social development and aesthetic requirement, also won't from its ownership of national culture inheritance of value and cultural image. Print the creation of purely formal language modernity with deep cultural connotations, and moved to the feeling of life special prints works can let a person feel close, such prints is accord with Chinese traditional folk psychology and native traditional culture aesthetic values. Therefore, any form of art language can't lose the soul, but the traditional culture conceived social culture spirit, contains the requirements of the development of The Times cultural pointing. This paper studies the purpose is in their reference engraving of printing to absorb mould chuo regional natic culture characteristics in its production process elements, engraving process gradually formed unique personal appearance. On the one hand, use contemporary aesthetic viewpoint and printmaking professional way to promote and enhance national culture self preach incoming, protection and development of national culture innovation tradition, development of contemporary printmaking regional features of Xinjiang. On the other hand, develop national traditional culture, the maximum depth of digging, meanwhile, national culture in modern society to explore their cultural value and artistic value, more comprehensively put these national elements into modern prints.