The Word From Mengchuang Research Boom Aesthetic Mentality, Of Four Major Poet In The Qing Dynasty

A wave of study and learn the upsurge of Mengchuang's word was opened in late Qing dynasty, especially in the late Qing dynasty four poets hands, Mengchuang's word was explained more carefully than before. This paper mainly takes the study of Mengchuang's word in late Qing dynasty four poets hands as the research object, and tries to discuss the aesthetic mentality of the four famous masters in this special historical situation. Mengchuang's word has been considered "solid", "obscurities" and "gorgeous castles" by predecessors, but in late Qing dynasty four poets's eyes, this obscure aesthetic style was more suitable for expressing their emotions and practicing their own aesthetic ideal. They all enjoyed the process of the bitter reading and also practiced this aesthetic style in their own works. Due to late Qing dynasty four famous masters experienced more pain than Mengchuang, so they saw Mengchuang's word as soul end-result. Everything was be ejected from the poets's heart, and they built a window around themselves, but the escaping couldn't change their living condition, anxiety and uneasiness threat them all the time, so the dream and hazy of Mengchuang's word constructed a spiritual paradise for the four famous masters in late Qing dynasty.