Elements Of The Language Of Modern Heavy Color Painting

Chinese traditional meticulous heavy color painting has a long history, throughout the entire development process of Chinese art history, showing profound and infinite charm of Chinese culture. Modern heavy color painting is in the development and evolution of Chinese traditional meticulous heavy color painting under a new kind, was developed under conditions of modern cultural and aesthetic. In 20th century early, China held by the occurs has mass of Exchange and collision, stirred up has West culture blend of Sparks, modern heavy color painting also began has it of sprout period; 20th century second half yilai, modern heavy color painting development became a very rich traditional aesthetic taste and modern performance practices of painting form, special in reform and opening up of era background zhixia. modern heavy color painting has broke through China traditional heavy color painting original connotation of limit, entered has a diversified of development era, new of material, and technology and concept makes it occurs has shaking of changes. By the older generation of painters for his tireless efforts and attempts to brand new painting and the painting style and research, making China modern heavy color art rose to a new level. On the aesthetic appreciation of it conforms to national habits and an Oriental aesthetic taste and charm, at the same time it learned from Western painting color experience, into a combination of Chinese and Western. take a beautiful scenery of ancient opened this. Traditional heavy color painting under the global trend towards localization of cultural development of national characteristics become more modern art.Origins of the first papers on Chinese traditional heavy color painting, both modern heavy color painting of development analysis:the origins of the earliest Chinese traditional heavy color painting can be traced back to the culture of ancient painted pottery period, followed by traditional murals; development of specific modern heavy color painting from its definition, integration and development of aesthetic taste between East and West, and West.Second, from aesthetics, Visual language for cohesion and innovation in the era of modern heavy color painting done in-depth thinking, clear concepts of cultural connotation of modern heavy color painting and thinking. Focus from language elements aspects to analysis modern heavy color painting of status and the development trend:form constitute element specific from line of art, and composition of image, and color of performance, and plane space constitute four a aspects for analysis; modern heavy color painting of form us rule as papers of innovation. points, main from unified and changes, and comparison and harmonic, and rhythm and rhythm and overall and local, and gravity and stability five a aspects for explained; Modern heavy color painting materials and techniques, including both the tools, techniques and materials and textures, mainly on the characteristics of its artistic features and techniques for analysis, and in contemporary research on the development of elaborate and, intended to explain importance of modern heavy color painting in modern art. Through analysis on Visual Forms of modern heavy color painting language in this chapter, to study the artistic language of a relatively perfect vision, and summarized some of the principles and methods, research and concluded that the fruits of development.Finally, the article analyzes the language of modern color Picture decoration, mainly on the national character of aesthetic decoration, decorative style of thinking, decorated with the objective analysis of emotional expression and prospects. From the beautifully decorated with simple style of thinking, originality, expounded; into personalized decorating style of emotional expression, both the spirit of the times. Rapid development in science and technology today, only we think, not impossible, in the tradition at the same time dare to change and innovation, the essence of integration of Chinese and Western art to create modern art.