Exploring The Decorative Beauty Of Chinese Totem Graphics

Magical totem art unique, exquisite, decorative art and design is wonderful Jane Rose. Evolution over time from the point of view, different periods of the totem graphics show different morphological characteristics, this and the prevailing socio-political, economic, ideological and are inseparable. China is a kind of totem graphic virtual imagery to create the magic, and its salient features are:virtual and real, vivid freehand, the shape of Vientiane, the original hunting and fishing groups in farming production and civilized society, witchcraft, weather, and community aesthetic psychology, religion beliefs, folk customs and so closely. Changes in the long history of the Chinese and totem worship are inextricably linked. Human nature religious worship with a variety of totemic objects, the images depict them in the rock or apparatus, and seek divine totem objects have been transferred to the white body, the idea underlying sense of accumulation in the human mind, and ultimately the formation of the totem culture. Which contains endless people think and speculative, and conclude the magic totem confusing, course of time to evolve into all kinds of legends and myths, such as nature worship and ancestor worship. Totem art from China, we can feel the humanity from the valuable aesthetic sense, and the resulting accumulation into the aesthetic temperament, truly become a symbol of national spirit and symbol of national culture.Chinese totem art of the "freehand", "vivid" and "conformal" is intended, God, the dialectical unity of form. This unique decorative image design thinking, is a variety of animals, plants, natural objects constitutes a partial restructuring, from reality, but also higher than the reality. This art form and its human connotation, the use of decorative arts in the area of today's society, very popular. Combination of traditional and modern design, Infiltration fusion of each other, surprisingly new. Papers from the origin of totem, totem art form inherent in the background and the aesthetic sense, the use of the main line graph totem, totem culture to understand and use content creation and application of the decorative arts, innovation, and truly past serve the present. "China's overall harmony of all things ancient ideas, is the carrier of two thousand years, showing the overall design, coordination, orderly and peaceful state of the humanities and the natural ecological balance of the ecological balance of the perfect unity of the ideal of human design. "totem graphic art creation in China is not only a carrier of spiritual culture, but also the physical manifestation of culture, must be for the general public to play its promotion of coordinated development of material civilization and spiritual civilization and the effectiveness of and access to comprehensive social and economic well-benefits. This is another spiritual and material transformation of the dialectical unity of practice, no doubt China will be beneficial to extend the development of graphic art and design.