The Research On The Korean Drama During The "Political Common Name Period"

The Chinese Korean nationality moved from the Korean peninsula and rooted in northeast China. As an indispensable part of Korean culture, Chinese Korean drama has been nearly a hundred years of development history. After the victory of the Anti-Japanese War, China Korean people liberated and become masters. Korean drama art inherited the features of national culture and made further developments."Political common name" is a kind of social condition that social exists great political events or persistent political leanings in certain period, culture work and literary creation is controlled by this political guidance, and intellectuals express form is affected by this framework and must within the state. Contemporary China's "political common name" experienced two main stages:the founding of the new China in 1949-"culture revolution" eruption in 1966 and 19-66-the Third Plenary Session of the Eleventh Central Committee in 1978. "Political common name" exerts a profound and comprehensive influence on the contemporary culture. Korean drama culture has never escaped this trend.30 years after the founding of new China, Korean drama's creation principle was the socialist realism which was full of strong revolutionary enthusiasm and heroism spirit. At the same time, the class struggle and revolutionary socialist was the creation subject, and to a certain extent it showed unique folk customs. Especially during the "cultural revolution" with the anti-rightist movement of class struggle enlargement, literary highly uniformed in politics, and "revolutionary model operas" occupied the main stage. Thus, Korean drama creation lost freedom basicly, with transplanting Han Chinese drama maintaining its survival.During the "political common name" period, Stanislavski's theory system unified the whole drama field and the socialist realism became the basic creation principle. In this environment, Korean dramas got unified development. The Korean drama shows a compound feature in culture tendency: traditional drama inherits Korean traditional culture art essence with. thick traditional national characteristics and style; Translational plays, under the political social background, basing on the original works, merged into the Korean nationality aesthetic temperament and formed new creations which adapt to new aesthetic and cultural needs; Original dramas merged Chinese nationality and Korean national characteristics as one and created national dramas with time spirit, which made important contribution for the national art.. However, in political inclination Korean drama present unified political tendency.