In 1980th, the image of the male in the Inner Mongolian painting, which occupied the main part for a long period of the time, was replaced by the image of the female. And these images showed the characteristics of the male. With this change, a series of stirring works which full of creativity, sense of the times were produced. These works attracted the attention of the art circles universally, while laid the importance on the Inner Mongolian painting and made the brilliant history of it. However, this glory was not lasted for long, and faded gradually in the 1990th. Why did this happen? What was the deep reason? What was the cultural meaning of these images of the female? The paper will provide the analysis on these questions. |