On The Manifestations And Teaching Value

Rub between Baoshan large cymbals dance as an art form villagers XuZhangpalm culture, its unique approach and the use of props performances reflectthe special local geography, folk customs and way of life. Meanwhile, its occurrenceand spread of geographical limitations of the art form it presents a unique aestheticfeatures, and then in2010was announced as the national intangible cultural heritage.Baoshan Yi as a folk dance among the " big cymbals rub " bring a unique charm anda strong local flavor, local music and the performing arts to absorb the ingredients toform a jump, play, rub as one of the art form in its own independence some featuresinvolved in the folk culture." Rub cymbals " action on the performers, bothcommon place other Yi dance, has its own unique methods of acting, thus makingthe formation of personality in the common style of performance art ecology. Thisarticle will rub cymbals along the trail of art spread from the " rub cymbals " actionstructure, the use of props and music features, and then focus on " rubbing cymbals" historical position in the Baoshan Folk Dance Art. On this basis, furtheraddressed," rub cymbals " practical value in the field of professional danceteaching, their teaching folk dances became Baoshan text laid the foundation, butalso for the art form as "intangible cultural heritage" in the moment heritage anddevelopment of theoretical insights.