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The Sound Is Music, Love Is The Music Of This

Posted on:2011-05-02Degree:MasterType:Thesis
Country:ChinaCandidate:Y YangFull Text:PDF
GTID:2205360308983756Subject:Music
Abstract/Summary:PDF Full Text Request
"Sound without Sorrow" theory adopted in the form of difficult debate, assuming that the Qin passenger (the voice of Confucian thought on the music) on the master Higashino (Ji Kang's own thinking) to ask questions around the "Sound" and "Sorrow" the relationship between the layers start repeatedly demonstrated, after a difficult debate before and after the eight.This article is the repeated reading of this aesthetic work, based on the use of modern musical aesthetic point of view of Ji Kang's thinking of a new interpretation and the interpretation of the text and the arguments with the modern music techniques ignore the emotional stress of this phenomenon in contrast, the wisdom of the ancients used to open the door to today's musical emotions.This paper is divided into three sections: the first chapter of "sound without Sorrow" theory of the full text analysis, with emphasis on the interpretation of the text in the keywords to try in accurately determining solution based on the word, scientific, closely digging deep Papers meaning; second chapter from the history of the source and characteristics of Ji Kang's own personality back, "Sound without Sorrow" the origin point of view.Ji Kang as "metaphysics" and one representative of the Wei-Jin period, scholars talked about "metaphysics" so that Ji Kang's remarks reveals a deep aesthetic of "mysterious" taste; this history combined with nurturing their own personality traits of Ji Kang led him to aspire to a kind of "Masquerade," "expensive no" ideal life to be able to devote themselves to the pursuit of their own inner world, he considered that only the "heart" is the only true, it tells "Sound without Sorrow" point of view.Chapter III summed up: "Love is the fun of this" that is discussed in Ji Kang's "sound", "love" relationship with the Initiation of the substance. That are advocated for in the professional music practice - such as the Tang Dynasty poet, criticized "The ancients and sing love songs, singing and only singing voice of modern people," as gradually passing away of the status quo, no doubt can play a certain amount of inspiration.
Keywords/Search Tags:Ji Kang, Sound without Sorrow, metaphysics, "Sound", "Love"
PDF Full Text Request
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