The Early Days Of The National Tone And Sound To Explore The Results

In the early period of the founding of new China, the Chinese Traditional Mode Harmony was at an important stage of exploration, three Piano Suites "nei meng gu zhu ti xiao qu qi shou", "miao hui", "ba shu zhi hua" are the representations of ethnic harmony works for the exploration. This dissertation focus on the three works, and bases on the existing theories with the comparative analysis and the inductive analysis, to analysis respectively from the chord structure, form, mode of functions, the use of diacritical chord changes, adjusting the relationship between transfer techniques analysis of several aspects, in order to reveal the Period of the Chinese Traditional Mode Harmony technique, style and features.