The Traditional Painting Of The Republic Of China Beijing And Tianjin Support Network

In recent years, the Republic of China for the Chinese traditional painter of mostly concerned about the community (such as the Chinese Painting Research Society and the Lake Club) or regional (Beijing or Shanghai) are two aspects of the case studies is the choice of the central figure in the group or region (such as Jincheng) for the object, for many other people were missing in-depth three-dimensional understanding. This event was such a choice, ChenShao mei Republic of China north of the artist painting a case study. He came to Beijing in the early twenties, he studied under Jincheng and joined the Chinese Painting Research Association, later to become the backbone of Lake community members; he chose the North were to art as a foothold, and has been abandoned, the formation of North-South integration of individuals style; thirties began painting over Lake community will be painting with a teaching agency in Tianjin, has gradually become widespread impact in the local traditional painter. Paper tries to ChenShao mei in Beijing and Tianjin during the Republic of the arts, the achievements of his access to art and thought in modern times, art education, art exchange mechanism and the transmission mechanism of the relationship between the sponsor.