The Musical Text. "dictionary" Interpretation Cases

In this paper,the study is to lay the foundation on the Analytical Dictionary of Chinese Characters,which is considered as the basic Literature and document data of the language's study, and to take several music scripts as research subjects,being proved and explained with abundant and exhaustive literature and document Examples.through the underground archaeological materials and documented proof language and music,by means of the "two-proof" combination of research methods,to examine relationship between the pre-Qin music culture and these music words,and analytic the rich music culture of "AnalyticalDictionary of Chinese Characters ",to give supplementary study about proving the important cultural value of the " Analytical Dictionary of Chinese Characters"The whole text is divided into five chapters.ChapterⅠ:The relationship between "Feng"(the wind)script and the music.This chapter mainly analyses the relationship between the wind and the music is long origin. The beginning of music are concerned with the "Feng".in this chapter,by analyzing the script's meaning and the shape of "feng",combining with a variety of original music literature and cultural connotations of research,we can find that the voice of the "wind" is one of the earliest origin of Chinese music culture.In addition,The worship of the ancients to the "feng" lowly developed into a state-related higher level of religious ritual with the country,became national will and become the favorable instrument for the ruling class to rule and paralysis they people,the "feng" script gained a deeper meaning.In order to strengthen their rule,emperors adopted a series of measures such as collecting "Folklore" to civil and presenting them,by this means,the national emperors tested the people's living situation,and thus knew the country's gain or loss about the strategy and adjusted timely,so as to rule the people better.This harmony wind was placed core ideology of the ruling class,and finally evolved into being the wind music to educate the people of by ruling class.ChapterⅡ:The blind musicians and the ancient china music and culture.In this chapter,the author will analyze the blind musicians' role in the ancient China music and culture.In ancient times,there were a series of worship activities to entainment the divinity,these worship activities in which combination of religion and political activities were accompanied by music and dance from beginning to end.At such large-scale religious,there was a group with special music talent-the blind musicians.The blind as a pre-Qin period of the blind musicians, togethered with other musicians through practice and took actively part in the activities to create the philosophy,astronomy,geography,literature,and also created the music,dance and other art forms.According literature and document's showing,the blind musicians could be traced back to ancient fortune-telling time,the importance of their functions at the location of the court was increasingly significant to be received and paid attention,rap artists also linked with the blind inextricably.Blind people made an indelible contribution to the dissemination of the ancient China music and culture.ChapterⅢThe relationship between the bell and music"Zhong"(Bell),according the explanation in Analytical Dictionary of Chinese Characters,was a musicial "instruments",we can determine the initial relationship between the "Zhong"(Bell) and the music;Apart from this,"Zhong" played a rather important position in the music's worship,because of its metal instruments unique and rich texture of sound,"Zhong" became the very important instruments in the court music,it has be regarded as precious Apparatus of the music and has been attached great importance to owners.ChapterⅣ:The relationship between the Chime and musicalIn this chapter,the author will analyze The relationship between the Chime and musical.Chime, according the explanation in Analytical Dictionary of Chinese Characters,was the kind of the stone instruments.It' Origin was very early,in the Qin Dynasty,it's development was of more perfect.In Chinese cultural traditions,it was very extraordinary,which linked to the political and ceremony system,it was not only a kind of instruments,but also was one of the most significant elements of the ancient China music culture.ChapterⅤ:The word "he"and the Ancient Chinese MusicAccording explanation in Analytical Dictionary of Chinese Characters,"He" means harmony, as other music words,the meaning of the word "He",has also undergone the evolution process from the original as the instruments into the confucian principles,from to harmonious the individual's temperament,to harmonious the society's willing from top to bottom,to harmonious the universe's heaven and earth,at the end,the meaning of "He" was promoted the height to a Symbol as philosophy of beauty,which is a harmonious relationship between people and people,people and the natural,the human life and freedom we can see that:based on the music,originated in the music,the word "He" has rich cultural connotations.In brief,ceremonial and music culture of ancient China was in abnormal developed state in the pre-Qin period.Appreciated by the royal court,elegant music has been attached great importance to the ruling class.From the perspective of language study,the subject of this thesis is to provide a window under the perspective of Chinese ancient music,by analyzing and expounding to these several scripts that look seem as very few but already became a system,accompanied by proving with literature and document.In addition,ceremonial and music culture of ancient China was very important to the the ruling class' nation,the author also work hard to reveal prosperous scene of the ceremonial and music culture in the pre-Qin period,and to explain the deep-seated connotation about political and cultural behind the scenes.