Wei Buddhist Music In The Transfer To Sing Guide

primitive Buddhism came from India, since the Eastern Han Yong-ping 10 years introduced to China, but until the time of the Wei, Jin, the only widely disseminating of Buddhism and mysticism, Buddhist circles of China's large-scale translation of Buddhist scriptures also started in the Jin Dynasty, Northern and Southern Dynasties era. Buddhist music as a powerful tool to promote Buddhism, have no choice but to "know when minority", to the public good practices and customs change. Buddhist music of the Mass, popularization, the popularization of the process, it is also the process, to the Northern and Southern Dynasties era Qiliang, a "variable wind shift vulgar" success "of the vulgar" has become an important factions of the Buddhist missionaries means, to read , To sing lead during this period is the unique Buddhist music forms. Papers from four components:Partâ… : research on topics as well as positioning on the Buddhist music of the status quo; research methods and writing ideas.Partâ…¡: the original Buddhist music and the formation of ancient India's political, economic, ideological, such as the environment are closely linked; original Buddhist music by function into three categories: chanting voice, that voice, dependent voice. Performances by the nature of vocal and instrumental music can be divided into two categories. In accordance with the nature of music is divided into two categories: sexual recite the Vatican Bai music and support music. Chanting music and music that is original Buddhist ritual music, the two are identical in essence, is the original Buddhist folk music Sengtuan absorption material to create a unique style of music. Jile from the dependent composed of two parts: First, from the instrumental music, singing and dance composition of the civil secular music and the other is from the Buddhist Bai recite the core components of the music, its nature and chanting and music that is the same, Just different functions. Buddhism on the original music is not only the attitude of opposition and certainly, it seems contradictory views, in fact, Buddhism is the original music of the special attributes, is the original Buddhist music as a form of external heterogeneity can take root in China, integration, the ultimate source of widespread Lie.Partâ…¢: Zhuandu is after the special product of Buddhism and the early-Translation, Han Weijin period of political and economic and ideological background have great links. Since the transfer as a product of a particular historical period, the formation process will experience a stage of development of a mature stage and integration stage disappear. Late Han Dynasty period of three Buddhist Translation activities of the early stages of the Zhuandu of a stage; Jin Dynasty, Northern and Southern Dynasties period is to read the mature stage to the end of Chen Sui and Tang dynasties after the Zhuandu is the disappearance of integration stage. Through the Wei, Jin and Southern and Northern Dynasties Buddhist music interim read the birth and development of the carding, revealed that the East-Buddhist music in the course of traditional Chinese culture and the contradiction between integration and the unique form of expression. In essence, Zhuandu is a method of reading Buddhist scriptures, it has to read the Buddhist scriptures in Chinese, rather than Sanskrit, the language and emphasize the beauty of Wenci and phonology. Zhuandu of a music, it is the Northern and Southern Dynasties period, including the Vatican Bai recite music collectively, Zhuandu and the relationship between the Vatican Bai according to different historical periods and have a subtle change.Partâ…£: Changdao to sing the innovation and development of the Wei, Jin and Translation since the development of Buddhist-style transformation, Buddhism and thinking of further integration, and so Secularization of the needs of social background has a direct relationship. Changdao of Buddhism is to sing secular and popular product, with Buddhism in China have been greatly in the process of change, and gradually formed its own characteristics, mainly in the form, content, features, music four aspects. Chinese Buddhist music in the study, "Gao Sengzhuan" quoted rate is very high, the paper also quoted a large number of these materials. However, the current Chinese Buddhist music on the academic achievements of the author also found a number of issues: on the division, by the nature of the two instructors have differences with the Vatican Bai transfer the concept of chaos. I believe that the reasons for this situation is "Gao Sengchuan" of the division, singing lead on two subjects in a similar classification and Integration, rather vague. Through the chanting, the division, three subjects were singing I. Comparison of the view that: the largest division and the division of the core functions of different lies the difference. Deng Section Division based mainly on self-study, the division is required by "the vulgar" effect. After singing the division and instructors are realized for the main purpose of the public Suhua, a tool used by their different emphases. The division to sing (music) as the main means, said that while instructors (language) as the main way. It is worth noting that, tutors and sing a very different meaning derivative, the former refer to a "sound, argued before, Bo," the four skills of the monks, while the latter is a generic term for Foshi activities. Singing is guided by the division, tutors complete a common Foshi, only to the main instructors.