Mozart's Late Opera In Three Maid Role

Mozart who is in the European music history a rare talent composer is also one of European classical music founders. As classicism music model, he to European music development huge function. Although Mozart has only lived 35 years old, but he works as many as the number and breadth of style are very rare.Mozart's opera creation is the most important areas of vocal works. But in Mozart's aesthetic views on this period and the reformers Gluck opera great differences exist; Gluck stressed that music drama, first of all, is drama, music and only then, and stressed the music of Mozart In the major opera status. Mozart, an opera in the middle, music lyrics must be absolute obedience. Because the musicians are not poets or artists, not with lines or color performance feelings. In addition Mozart's music has also stressed the role of shaping the image and reflecting the inner activities of the tremendous role. Mozart's music and drama of this attitude in the decision of the singing performance of Mozart's opera works at the special style.Shaping the image of live music personalities is the success of Mozart's opera the music. In this paper, Mozart's four representative of the classic opera "Concubines Lure Defectors," "Wedding of Figaro", "Tang Giovanni" and "Woman Heart" in a class of typical characteristics of the female characters, explore Mozart Music Creation of the special role of women in the " Maid role." Mozart as the 18th century's greatest music portraitist. Under this all the characteristics of this type of music is whenever he becomes aware of it full of ingenuity figures of the new design, these " Maid role " under the guidance of the music come alive. In people's vision, often those who are concerned about the role of women in important roles, "Actress", but precisely because of these "little" the existence of only those who " Actress " more vivid.Through these four classic operas in the " Maid role " horizontal comparison, summed up the characteristics of this type of role. Including the personality characteristics of the characters, voice characteristics, the role of shape and characteristics of these " Maid role " work in the position and role. In addition, the paper devoted to this drama of the four " Maid role " classic songs were analyzed. Never leave and desert the one you love of their masters, open the Blonde; beautiful alert the hostess of very loyal Susanna; Zerlina correct a mistake, is lively; love is hard-working attitude frivolous serve two wives of Despina . They are bright and lively personality, the voice on all belong to trumpet lyric soprano, who was a " Maid role " hard-working and simple, but also as a social figure in the bottom of some petty, philistine, but they are Mozart's true shape, Flesh and blood. In this paper, "Actress" and "Maid role" also made a comparison between, so that we can on this type of " Maid role " role in a more profound impression. Finally, the paper summed up what about these " Maid role " songs of vocal teaching significance. songs, although not because these so-called " Actress " songs, it is almost bound to get learning to sing the vocal works, the voice training, music and enhance the quality of expression and creativity of the training is very helpful.Mozart's operas have been greatly favored, many people to study Mozart's opera, but rarely see them special attention the role of women, not to mention the role of women in the "Maid role". This article will concentrate on those with little to study, then we sing Mozart opera in the works encountered this type of role, we can more accurately grasp the characteristics of the style of characters, more accurate completion of works.