| The Southern and Northern Dynasties in Chinese history is a unique historical stage. During this period the frequent change of regime, a wave of economic development and the importation of Buddhism, metaphysics, as well as the rise of old, the prevalence of thinking Zhuang inaction, the art of this period as expressing personal feelings, the spirit of individual performance, and individuals can play an important means. The Southern and Northern Dynasties acute social conflicts and wars caused by years of broad masses of the people caught in dire straits the tragic life, the turbulent political situation, the difficult life of various factors such as the intellectuals also stimulate the fragile sensitive nerve, awakening their individual awareness and sense of life and death, so that they had to rethink their own troubles in the community on how to obtain the corresponding status in the conflict environment, their values and outlook on life has also had a subtle change. Wei, Jin Scholars advocating self-contempt at the law, the pursuit of individual self-transcendent and fitness, cultural awareness toward awakening, a large number of disposable career from the literati "Guiqulai" to participate in art creation, will greatly promote the development of painting. Literati and the rise of self-consciousness thinking of the free development of the Southern and Northern Dynasties contributed to cultural and artistic diversity phenomenon. From the Wei and Jin Dynasties, painting itself with the United States because of the conscious and become the target. Independent landscape painting emerged in the Wei and Jin Dynasties, under the influence of Metaphysics is the inevitable result. In addition, the Southern and Northern Dynasties of Ancient Chinese Painting theory of painting has far-reaching implications, which are particularly landscapes of the most notable achievements.Liusong Southern Dynasties period Zong Bing's "Landscape Painting sequence" is the history of Chinese painting landscapes of the first aesthetic papers. Discussed in the text not only embodies the Chinese ancient paintings of landscape painters of the initial understanding, but also deeply appreciate the natural beauty of ancient China reflects a significant shift in the concept, which includes the awareness of the natural beauty, but also with the problem is not limited to natural beauty universal significance, that is, from "Speed" to the stage of awareness of the aesthetic, "Chang god" stage of development. Zong Bing in the "Landscape Painting sequence" clearly stated that "the Huai Cheng taste like," "Landscape in shape butters Road," and other important aesthetic proposition, and will "shape" and the "god" of the dialectical relationship between the expansion of a landscape painting in-depth evaluation. Zong Bing natural landscape painting aesthetic concepts, and theories on the future generations and aesthetic landscapes creative activities have an extremely far-reaching impact. Following his "Landscape Painting order" after another of Wang Wei "Syria painting," Sheikh "Six principles of Chinese painting" theory of painting works have been produced, in a sense reflects the historical stage that the level of artistic practice . Even Zong Bing " Piaoran of the" landscape work has been Mocongkaozheng, from the general sense that we can understand "Landscape Painting sequence" is the sublimation of their artistic practice.This paper mainly from "" Landscape Painting Order "and its aesthetics should," and "old, Zhuang philosophy under the influence of landscape aesthetic consciousness" and "the independence of the early landscapes and the corresponding impact on landscape poem" three major aspects discussed, first of all, with the Southern and Northern Dynasties social ideology and diverse cultural environment on the "Landscape Painting sequence" and the text of a number of aesthetic proposition to analyze and study, followed by the old Zhuang the perspective of the influence of Chinese landscape painting to explore the early thinking root cause analysis of the final part of landscape painting works through in-depth understanding of early landscape paintings by a secondary position into a dominant position, figure painting background to independence from the development and evolution of division. In addition, the period of the Wei, Jin landscape poems of landscapes role in promoting the development of a corresponding exposition. This paper from the perspective of philosophy and aesthetics comparison, analysis, research, feasibility studies, our purpose is to reveal the creative process in the early landscapes of the main creative aesthetic attitudes and values, further exploring the universe home early landscapes and landscape aesthetic consciousness. |
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