Wei Literary Emotion Theory

In ancient Chinese literature and literature thought,emotional experience can be roughly divided into three categories,namely the Moral emotion,the Daily emotion and Aesthetic emotion.Confucianism controls emotions by the ritual music,regards "the benevolence" as the interpersonal most basic emotion.The moral emotion is under the influence of the Confucian view.The Taoism thought formed by "the nature", "heartlessly" influence emotion view as the characteristic esthetic emotion.Pre-Qin ancient works appear the majority "zhi" which contains the emotion content belongs to the moral emotion,but "qing" refers to the daily emotion generally.Zhuang-zi's emotion view belongs to the esthetic emotion.The full text is divided into four chapters:ChapterⅠtried to explore the source of emotions reflected in literature,"zhi" and "qing" in ancient China for the emergence of a sort out and I tried to analyze its meaning in different sides.ChapterⅡto chapterⅣwere discussed during the Wei,Jin and Southern and Northern Dynasties moral emotions,daily emotions and aesthetic emotions in the performance of literary works.The Wei Jin time has the thorough understanding to the emotion view and further synthesizes,Cao Cao,Cao Zhi,Wang Can's works and so on have manifested the moral emotion content,and Pei Ziye and Liu Xie theoretically advocates the moral emotion theory.The metaphysics use natural emotion to rebel against the moral emotion theory;it results that the literary work is favor in displaying individual daily emotion,including literary work in the vulgar side.Cao Pi,Ruan Ji,Ji Kang,and others works reflect the daily emotion;Zhong Rong and Xiao brothers promote daily emotion in the performance of literary works.The metaphysics most prominent emotion performance should belong to the esthetic emotion.Ji Kang's music theory in "Sound without sadness or gladness" and the appreciation of the nature beauty were representative of the metaphysics.