On The Creation Of Yang Yazhou Civilian Awareness And Image Style

This article discusses the idea of the value of individuality and distinctive style of pursuit of Yang Yazhou's works which is in the entry point of his works, based on the text of works, in the rapid development of mass culture and cultural background.It is divided into three parts to discuss: In chapterⅠIt discusses the Yang Yazhou's film and teleplay creation of civilians orientation from the perspective of choose topics, all the film and teleplay of Yang Yazhou have chosen the pipsqueak for the main represent targets, focused on the demonstrating the state of survival and psychological changes of these figures in a Time of Change when the living conditions of China changed. Obviously, it accords with popular culture for publicity awareness of the requirements of the civilian population, and the current aesthetic habits of the civilians, at the same time, the consciousness of the topic choice made a tacit understanding with the reactive tendencies of reality of the world, and Chinese film movies, television dramas, and it is an excellent creative concept of inheritance and development in the Yang yazhou film and teleplay works. Stories often start around the family, family members and the major social relation of family members are described in detail. And the vicissitudes of life are similar to Motif of many folktales.In chapterⅡit focuses on the civilian Yang yazhou TV drama in the sense of a concrete embodiment of works. First of all, the theme of TV drama of Yang yazhou's works are both healthy and positive thinking, calling on the audience coping with rough life with courage and optimism, and getting touch with relatives and friends with understanding and tolerance ; Secondly, Yang yazhou paid attention to the lives of every texture, not evade figures weaknesses and shortcomings, and filled with a beautiful humanity and kindness figures through the lives of characters in life and self-introspection during his figures shaping; In the structure of narrative, Yang yazhou adopted the "flow of life", which was not a simple flat way and understatement, but about attention to detail, emphasis on performance on the stories and characters of each moments; In the perspective of narrative, as a male director, Yang yazhou used female aspect which was less used by the domestic directors, reduction of women in TV drama works in the true face, and not just "in" and the desire to meet the target of male peep.In Chapter III it analyzes several main arts of representation in Yang Yazhou -language TV drama, especially in the temporal and spatial modeling and modeling language, which achieved good discourse in its civilians and the expression of civilian awareness in the unique "end time" and speaking of lines designed, "cuts out" has also been frequently used Yang Yazhou creative drama as used in the art of the film, it works more emotional full, rich lyric mean.In this paper, the greatest significance is the apocalypse to the development of contemporary China on movies, television dramas. In the 21st century, the production of Chinese movies, television dramas increased year by year, but few was loved by people. In contrast, Yang Yazhou's TV drama creation was pragmatic and sincere photographs of the people around, it promoted the traditional concept of right and wrong and good and evil concept, realized the arts and business bumper. It has a strong sense of the times and the reference value.