On Khoomei The Method Of Singing

Hoomei called haolinchor, is one of Mongolian nationality ancient music cultures and it is a kind of laryngeal tone's art. Because the unique manner of articulation (a person may simultaneously send out two musical parts) enables it to have the bright style and the distinct characteristic. For the influence of language and singing technical, Hoomei's spreading scope is nor very broad, presently it only saves in the Mongolian, Tuva Republic and Altai area of Xinjiang.Hoomei is faced with vanishes in our country, and its artistic value has brought much attention in the recent several years. Simultaneously musicians began to focus this musical form, and some of them have carried on the researching and analyzing from the different angle of view. But, as a result of all sorts of reasons, until now there is nobody makes the system comprehensive reorganization and the elaboration to Hoomei.This article's goal lies in saving and protecting the minorities' art cultural heritage. Through combing all collects of the singing method material of Mongolian minority's Hoomei, and analyze the materials of singing style and the scores ,the article hopes to make up the incomplete researching thorny of Hoomei. Through the analysis and the summary of Hoomei's singing characteristic, I hope can get positive impetus function of Hoomei's further development.This article constitutes by five parts. At the beginning, mainlyintroduce the study situation of this topic, the original of data, aim, meaning, scope, object, studying way, theory as well as the filed works and the outline that Writer did. The first chapter, briefly introduce Mongolian nationality music and Survey Hoomei. Mainly much careful describe the Name origin, popular region, development situation as well as present situation of Hoomei. The Second chapter, conduct the research and the analysis of Hoomei from vocal Angle, Pointe out the voice condition that study Hoomei should have the study Hoomei's process, the sound production principle, and the similarities and difference between Hoomei and the ordinary vocal method and Carrying on the elaboration to at its performance style characteristic. The third chapter, separately discusse the relations between Hoomei and the other Mongolian nationality music forms as urtu in daguu, chor as well.Finally, make the outline to Hoomei's inheritance and propose the method "the diversification" in the protection and the development of Hoomei.