Tao: A Any True Contentment Aesthetic Exist

Tao Yuanming is an exotic art flower in Chinese ancient literature . In the era when he lived peoples didn't pay more attention to him or his poems, but when he died his special charm in personality and poems began to give off bright glory which illuminates more and more intellectual and offical in later ages. And he also aroused many scholar's interest in studying himself and poems. But in many articles or books he is only regarded as an object by pepole who say to themselves , not "Thou" standing with "I" equally. In this way, Tao Yuanming becomes a hermit above all material desires or an rigourous and conservative sculpture in old books or papers estranged from us.In this thesis I would like to use the theoretical view of "the Aesthetics of Cultural Personality", take the aesthetic relation "I-Thou" as threshold to display the interactive generating relation between his independent personality charm and his vicissitudes by restoring the history cultural environment he lived in. From "Love","Beauty" and "Harmony" these three aspects to mould "this" aesthetic existence Tao Yuanming. During the process talking and communicating equally with him and his poems we see a sincere, truly-feeled and amiable Tao Yuanming, who is not only an ordinary man but also a broad-minded people. He feels beauty with wisdom, write poems with life experienced and face up to diverse and confused world with sapient attitude to life.