Caught In The Literary Writing

The liberated area literature is occupying an important status in the entire 20th century Chinese literature: It, on the one hand, inherits the literature accomplishments accumulated since the 1920sand 1930s. On the other hand, its literature practice has had an important influence to the later literature development. Therefore to this object, proposed new questions, we utilize a new angle of view to deepen the research, which, to knew both the liberated area literature itself and 20th century Chinese literature, definitely has a vital significance.Within the former research, people noted the liberated area writer was in contradiction between their political requests and their self- expression, the dilemma some particular writers placed, but the attentions payed are far from sufficient. This paper employs the novel narration to cut into the liberated area literature, its reason lies in: First, the liberated area novel text presents the intrinsic contradictory characteristic in its narrating, neglect of these characteristics would give birth to the possibility to some camouflagation of its originality .It not only simplifies the history of literature, but also is a massive lost for the history of human thoughts. From the contradictory text, we may penetrate into the much richer hidden content and have a peek at the reality covered by the so-called grant-narration. This angle of view causes a re-excavation on the unique connotations of the liberated area literature, also a deepened accessibility to the senses and emotions of the authors at their spots. Second, although researchers do have payed their attentions to the complicated notations contained in the novels, like human nature, desire and so on. Disappointedly, owning to a lack of more sophisticated textual materials, a few controversial conclusions are made and need further discussions.This paper precisely studies on the foundation of the predecessors! Through analytical research on the fist-hand materials of the liberated area novels, we dwells on the unique narrative characteristics, from the subject performance, characterization and the narration angle, to promulgates its intrinsic contradiction, to present a dynamic demonstration on how the friction between the main body and their revolutionary...