The 17 - Year Revolution Historical Novel " Traditional " Problem

Revolutionary historical novel is a kind of numerous and very representative narrative types in period of 17 years of Contemporary Literature, it is the important component part of " red classics "in Contemporary Literature .What it told is the period of revolutionary history from 1921 that the Communist Party of China was tenable to 1949 the setting-up of the People's Republic of China . Among the process of Contemporary Literature, it goes through the pieces of " classicizing " Misconstruction", "reclassicize" course. During this, obtaining a lot very considerable achievement to revolutionary historical novels, but it is carried on that these discussions come up in the peripheral aspects of literature to a great extent, and have inclination of ignoring the text and close reading . So, my thesis will be read in detail to launch describing for the basic point of view with the text. During the process of reading these revolutionary historical novels, I find " tradition " form these texts phenomenon that surface appear not merely, in order to reach popularized reading, propaganda, education result required at that time. In fact, revolutionary historical novels demonstrate revolution narrate and traditional narrate rely on for support and complicated state that merge each other on the whole. So, the purport of this thesis is to carry on possible multianalysis to the " tradition " form in the revolutionary historical novels, in the hope of finding the complicated relation of revolution / tradition, history / the narrative while narrating.The main content of this thesis includes four chapters, chapter one is discussed in terms of formulation of these revolutionary historical novels, the society demonstrated the inclination to " tradition" resources from the scholar, writer, reviewer to reader's and valued whole culture atmosphere at that time; Analyse the complicated relation among folk and chivalrous revenging theme, ethics and social trends theme, "suffer disaster" theme and modern Chinese revolutionary theme in terms of literature theme in chapter two; Chapter three discusses traditional spiritual intension on one's body of these four kinds of personages of " Party representative ", revolutionary hero, revolutionary mother and counter-revolutionary and pedigree relation in terms of personage's image; Chapter four discusses the application and transformation of the traditional narration style in terms of style, express from " signified " application and language (narrative language, personage language) of tactics lyrical to take and inclined to and go on and expound the fact mainly.It is impossible to limit within the range of the self-sustaining one for literature study, it maybe one culture study at the meaning. It is not a self-disciplining problem to probe into literature that this thesis regards text as the starting point, possibility that culture combines that and attempt to make sure through the analysis of " tradition ". Especially face the fact rising in literature marketization, commercialization and mass culture ideological trend, attempt to offer the possible consulting helpfully and rational utilization of revolutionary resources.