Old Officialdom Prison Seoul Ru Group Of Objects

As an academic master of 20th century, Qian Zhongshu made great contributions. And one of the most remarkable contributions is the creations of the great works, such as Pipe-awl Chapters, Seven Patches and Discourses on art and so on. With his learning and ability that could straighten the modern and ancient times, China and Western, he achieved great successes in the study of literature, art and even of the culture. In the work of discourses on art, they—the vast and great cultural word and the literature word—aroused alternately and were stereoscopic dialogue. It demonstrated the ultimate significance—China and Western's common gist of poem and literature. This article will aim at Discourses on art of Qian Zhongshu, to discuss the aesthetic principle of independence and freedom and the aesthetic intendancy of the poemization, to make a thorough inquiry of his aggression aesthetic disposition, to experience his sharp aesthetic perception and rich imagination of criticism, and to state his aesthetic capability of strengthening and simplifying. Based on the special style and connotation of Mr. Qian's work to discourse on art, we'll enter into the space that was created by Mr. Qian, which may be persistent in discourses and thoughts, and appreciate the aesthetic style and pursue that Mr. Qian intended to show. And the original idea in learning and personality strength, which are beyond the common life.