The Narrative Mode Of The Korean Film And Cultural Connotations

From mid-90s in the 20th century, the Korean film has assumed a prominent status inquantity, box office and awards. It has initiated a fever for Korean film in the global filmcircle. Showing strong interest this phenomenon, many scholars engaged in the research offilm and culture from both home and abroad. However, the previous study mainly focused onsuch material aspects as film technology, marking strategy, policy support and capitalinvestment, some approach from the film history. We are mostly used to stick on externalstudy on effect of economy, politics, and development of film history and single studyaccording to style and director. The works of art we used to study have been dated becausethey came up into being from 80s to Mid-90s in the 20th century. The papers cannot regardsome excellent films since the end of 90s as a whole. This thesis is going to search the angleof view and object in study which previous study had neglected.This thesis includes four chapters: the former two chapters fall to paying attention topluralistic style of "The Korean film"by humanism. Mutual narrative modes are contained inmany material works of art. They are sorted and conformed by me. I am going to analyzenumerous factors from many works of arts themselves, for example, theme and skill. Thelatter two chapters would induce culture connotation macroscopically embodied in the worksof art. I am going to plan on analyzing advancement and harmoniousness in practical rule andentireness and symmetry in aesthetic pursuing. We can see microcosmic tone of films andmacroscopical tone of culture how to set off mutually, and make the miracle of the Koreanfilms in recent years.